Scott Flaherty Photography » Equipment

Latest from What The Duck

Scott Flaherty — Thu, 19 Aug 2010 13:25:28 +0000

Makes me cringe just to think about it . . .

Praising the Nikon SB-900 Speedlight

Scott Flaherty — Tue, 17 Aug 2010 14:24:52 +0000

Last week I was on TopSail Island, just off the North Carolina coast, photographing pelicans and various shore birds. On my first morning going to the beach I mounted my Nikon AF-S 200-400mm f/4 VR on my NIkon D700 and supported it using a Wimberley II tripod head and Gitzo 1348 legs. I then attached a Wimberley flash bracket to the tripod head to support the SB-900 speedlight.

Unfortunately, I forgot to secure the speedlight to the flash bracket and when I was climbing the wooden stairs to get over the hill leading to the beach, the speedlight fell off of the bracket. It hit the wooden stairs with a loud bang and I was positive that it had shattered completely. I was surprised when I looked down and saw that it was still perfectly intact. Now the question was whether or not it would still work. All my fears were alleviated when I fired off my first test flash and found it to be functioning perfectly. This thing is built like a tank. It must’ve fallen a good seven or eight feet before hitting the first step and tumbling down several more. The SB-900 maybe pricey, but I think it’s well worth it.

Here are a couple of images from that morning:

Sanderling

Brown Pelican

Nikon expands wide angle lens lineup

Scott Flaherty — Thu, 11 Feb 2010 13:11:49 +0000

The Ultra-Wide 16-35mm f/4 VR and Ultra-Fast 24mm f/1.4 Lenses Provide Photographers With New Perspectives and Creative Versatility

MELVILLE, N.Y. (Feb. 8, 2010) – Nikon Inc. today announced two new lenses for professional and enthusiast photographers that epitomize NIKKOR leadership in optical excellence. The highly anticipated AF-S NIKKOR 24mm f/1.4G ED lens is engineered to meet the demand for an ultra-fast professional lens for wide angle applications, while the AF-S NIKKOR 16-35mm f/4G ED VR offers Nikon’s widest FX-format focal range with VR, offering additional versatility to a broad range of photographers.

“The 16-35mm f/4 VR and 24mm f/1.4 are two new lenses designed to address the needs of an ever-expanding number of Nikon FX-format photographers, delivering dramatic perspectives, amazing clarity, contrast and color when capturing stills or HD video,” said Edward Fasano, general manager for marketing, SLR Systems Products at Nikon Inc. “Customers that choose these new lenses will experience excellent image quality and sturdy handling, which is made possible through our commitment to excellence and expert NIKKOR engineering.”

World renowned NIKKOR technologies play an essential role in the design of these two new lenses, and both feature Nikon’s exclusive Silent Wave Motor (SWM) technology for quiet, fast and accurate autofocus performance. The optical construction of both lenses also utilizes precision Nikon ED glass elements along with multiple aspherical elements to suppress chromatic aberrations resulting in sharp, high contrast images. Additionally, Nikon’s proprietary Nano-Crystal Coat minimizes instances of internal “ghosting” and flaring, further ensuring exceptional image integrity.

The 24mm f/1.4G ED Lens

Perhaps one of the most hotly anticipated lenses in recent memory, the new AF-S NIKKOR 24mm f/1.4G ED lens blends a natural yet versatile 24mm perspective with an ultra-fast f/1.4 aperture to expand an existing collection of well over 60 NIKKOR interchangeable lenses. The f/1.4 maximum aperture allows photographers to shoot handheld in low light and provides dramatic separation between subject and a softened background. In a wide variety of photographic situations, both FX and DX-format shooters will enjoy the benefits of extra-bright f/1.4 viewing, superb image quality and the dramatic perspectives afforded by a picture angle of 84 degrees (61 degrees when mounted on a DX-format body).

The 16-35mm f/4 VR Lens Brings a New Perspective to VR

The new AF-S NIKKOR 16-35mm f/4G ED VR lens is an ideal lens for enthusiasts and professionals craving a constant maximum aperture and ultra-wide angle zoom versatility with the benefits of Nikon’s Vibration Reduction (VR) II image stabilization. As the widest FX-format NIKKOR zoom lens with VR, users can realize the ability to shoot up to four shutter speeds slower than otherwise possible, expanding low light shooting opportunities and contributing to dramatically sharper handheld photography and video capture. Nikon VR II image stabilization technology is engineered specifically for and optimized to function most effectively for each lens, ensuring optimum performance. Whether joining the growing ranks of FX-format photographers or using the Nikon DX-format, photographers will appreciate the perspectives possible when shooting architecture, interiors, landscapes and more.

Pricing and Availability

The versatile, wide angle AF-S NIKKOR 16-35mm f/4G ED VR is scheduled to be available in late February 2010 at Nikon Authorized Dealers with an estimated selling price of $1259.95*. The ultra-fast AF-S NIKKOR 24mm f/1.4 G ED lens will be available in late March 2010 for estimated selling price of $2199.95*. For more information, please visit www.nikonusa.com.

About the NIKKOR brand

With a comprehensive assortment of FX and DX-format lenses and focal lengths, from the ultra-wide 10-24mm to the super-telephoto 600mm VR, Nikon photographers have come to rely upon the NIKKOR core technologies that contribute to their optical superiority. NIKKOR is the brand name for Nikon’s photographic lenses, which was created by adding an “R” to “NIKKO”, an abbreviation of Nippon Kogaku K.K., the original company name of Nikon Corporation at the time of its founding. In 1933, Nikon marketed its first camera lens under the NIKKOR brand name, the “Aero-NIKKOR” for aerial photography applications. Since then, NIKKOR has been used as a brand name for Nikon’s lenses that symbolizes durability, high image quality and optical excellence.

About Nikon

Nikon, At the Heart of the ImageTM. Nikon Inc. is the world leader in digital imaging, precision optics and photo imaging technology and is globally recognized for setting new standards in product design and performance for its award-winning consumer and professional photographic equipment. Nikon Inc. distributes consumer and professional digital SLR cameras, NIKKOR optics, Speedlights and system accessories; Nikon COOLPIX® compact digital cameras; COOLSCAN® digital film scanners; 35mm film SLR cameras; Nikon software products and Nikon sports and recreational optics. For the second consecutive year, Nikon D Series digital SLR cameras are recognized as “Highest in Customer Satisfaction with digital SLR cameras, Two Years in a Row, Tied in 2008.” according to the J.D. Power and Associates 2007 and 2008 Digital Camera Usage and Satisfaction StudiesSM. Nikon Corporation, the parent company of Nikon Inc., recently celebrated the 50th anniversary of its legendary F-mount lens-mounting system. Only Nikon has sustained an original lens mount for such an extraordinary period, ensuring that photographers can continue to leverage their previous investments while still taking advantage of new innovations. For more information, dial (800) NIKON-UX or visit, which links all levels of photographers to the Web’s most comprehensive photo learning and sharing communities.

*Estimated selling price listed is only an estimate. Actual prices are set by dealers and are subject to change at any time.

Spotlight Photograph: Sunrise Over Mirror Lake

Scott Flaherty — Thu, 17 Dec 2009 19:23:43 +0000

Today’s Spotlight Photograph is “Sunrise Over Mirror Lake”. This photograph was created early on a chilly, late winter/early spring morning in Lake Placid New York. Back then I was shooting with a Nikon D100. While I really liked this camera, it did exhibit quite a bit of noise in the shadow areas of images. Because of that tendency, I had trouble creating a clean image of the scene below. Now, several years later, I’m shooting with a NIkon D700 and D300 and don’t need to worry all that much about noisy images.

Recently, with image processing software advancing to their current capabilities, I began to wonder if I could do anything with some of my old D100 images that I had previously written off. Below is one of my old D100 images that I ran through Adobe Lighroom 3 Beta and Adobe Photoshop CS4 last week-end. I think the results turned out pretty good.

Sunrise Over Mirror Lake – Lake Placid NY

For more photographs from my collection, please visit my photo gallery.

Nikon Releases New AF-S 300mm f/2.8 VRII Lens and TC-20E III Teleconverter

Scott Flaherty — Thu, 10 Dec 2009 13:45:56 +0000

MELVILLE, N.Y. (Dec. 9, 2009) – Nikon Inc. today announced two new NIKKOR optics that deliver the pinnacle of image quality for professional photographers who demand super telephoto capabilities. The new, fast aperture AF-S NIKKOR 300mm f/2.8G ED VR II super telephoto lens and AF-S Teleconverter TC-20E III deliver images with stunning edge-to-edge sharpness and clarity throughout the frame. Continued refinements and new technologies such as Vibration Reduction (VR) II and optimized autofocus (AF) modes in the lens enhance functionality and improve performance for discerning FX and DX-format digital SLR photographers.

Nikon AF-S 300mm f/2.8 VRII

“The latest edition of the NIKKOR 300mm f/2.8 lens advances one of the most popular fast-aperture focal lengths for sports, nature and wildlife photography, demonstrating Nikon’s commitment to professional photographers through the continued development of the optical fidelity and sharpness for which NIKKOR lenses are famous,” said Edward Fasano, general manager for marketing, SLR Systems Products at Nikon Inc. “Offering compatibility with a wide range of NIKKOR optics, including the new 300mm f/2.8, the TC-20E III teleconverter enables photographers to greatly extend the versatility of a variety of zoom and telephoto lenses they carry.”

Whether photographing nature in the wild or the battles at a line of scrimmage, the 300mm f/2.8 is an essential tool for photographers who require the highest level of image quality for publication and printing. This 300mm lens effectively leverages a host of Nikon core technologies, including Nikon VR II image stabilization, specifically engineered for each lens design for maximum performance. VR II instills confidence by counteracting image blur introduced by camera shake and telephoto magnification, allowing users to shoot up to four shutter speed stops* slower than otherwise possible, overcoming many of the challenges of handheld shooting. If tripod shooting is preferred, the Tripod Detection Mode will detect and compensate for tripod-specific vibrations.

This professional lens is constructed of die-cast magnesium for maximum durability and is strategically sealed to resist dust and moisture, with protective Meniscus glass to safeguard the lens’ front element. The optical formula features three Extra-low Dispersion (ED) glass elements for superior sharpness, color and image quality, while minimizing chromatic aberration. Additionally, an aspherical element is used to promote image integrity throughout the frame, suppress coma and minimize distortion. The lens also features Nikon’s exclusive Silent Wave Motor (SWM) technology which enables high-speed autofocus performance with exceptional accuracy and powerful, super-quiet operation. Nikon’s exclusive Nano Crystal Coat prevents instances of ghosting and flare for even greater image clarity.

The AF-S 300mm f/2.8 lens features a host of professional focusing features that further enhance functionality. Photographers can now select from three focus modes to match shooting conditions, including manual mode (M) and autofocus with manual priority (M/A) mode, and the new A/M mode. The A/M mode enhances AF control with fast, secure switching from automatic and manual focus to adapt to personal shooting preference and techniques. Additionally, users can also activate the AF Recall Mode at the press of a button that allows for instant return to a predetermined point of focus to capture anticipated shots confidently.

AF-S TC-20E III

Nikon’s professional grade teleconverters, including the new AF-S TC-20E III are ideal companions to the new NIKKOR 300mm f/2.8 and other select lenses to create an affordable and portable gateway to extended telephoto photography. The new TC-20E III effectively doubles the focal length of select lenses, and is the world’s first teleconverter to feature an aspherical element to virtually eliminate coma and other aberrations even at wide apertures.

Price and Availability

The AF-S DX NIKKOR 300mm f/2.8G ED VR II lens is scheduled to be available at Nikon authorized dealers with an estimated selling price of $5,899.95. The Nikon AF-S Teleconverter TC-20E III will be available for estimated selling price of $499.95**. Availability of both products is scheduled to begin in January, 2010. For more information, please visit www.nikonusa.com.

*As determined in Nikon performance tests

**Estimated selling price listed is only an estimate. Actual prices are set by dealers and are subject to change at any time.

Niagara Falls

Scott Flaherty — Wed, 21 Oct 2009 17:49:01 +0000

My wife and I drove to Niagara Falls this past weekend to “get away” for a few days. This very often means there will be an opportunity for me to get in some photography. I have to say thank you to my wife for putting up this. It can’t be easy to be married to a man who wants to point a camera at anything that moves, and for that matter, anything that doesn’t. But she’s a trooper and tolerates the long periods of just waiting for the light.

We spent two days at the falls with bright, sunny skies. I would’ve liked to have had at least a few clouds in the sky. However, when you’re viewing these magnificent falls, you find it hard to complain about such things. We spent all of our time on the Canadian side on this trip. Next time we’ll try the American side. There’s a good view over there, where you can look across the American Falls and have the Horseshoe Falls in the background. I’ll get that next time for sure.

Anyway, here are a few of the shots I have processed so far. I hope to get the rest of them up on my gallery site within the next week or so.

At the Edge – Horseshoe Falls

Horseshoe Falls

American Falls Light Show

Spectators at Horseshoe Falls

Skylon Tower

For more photographs of Niagara Falls, please visit my Niagara Falls gallery.

Nikon’s New D300s DX Format DSLR

Scott Flaherty — Wed, 09 Sep 2009 18:41:46 +0000

NIKON D300s REVITALIZES THE STANDARD AND MEASURE OF AGILE, PRO-LEVEL DX-FORMAT D-SLR DESIGN AND PERFORMANCE

MELVILLE, N.Y. (July 30, 2009) – Today, Nikon announced the D300s digital SLR, combining professional-level performance with agility and enhanced D-Movie capabilities to deliver a new benchmark for creative versatility. Engineered to leverage proven Nikon technologies, including a 12.3-megapixel CMOS sensor and 51-point autofocus system; the addition of HD video capture; and faster 7 frame-per-second (fps) continuous shooting, the Nikon D300s balances form factor, performance, versatility and reliability for serious photo enthusiasts and professionals.

The D300s retains the photographer-friendly features of the critically acclaimed D300, while enhancing speed, versatility, and agility of the DX-format for a wide variety of photographers, including advanced enthusiasts, wedding shooters and photojournalists. The D300s can record HD video clips and high fidelity audio with an external stereo microphone input, offering users a D-SLR with full multimedia capabilities. Dual card slots afford users the ability to seamlessly record stills and video to one CompactFlash™ (CF) and one Secure Digital™ (SD) card separately, while one-button Live View, a new Quiet Shutter Release mode and Active D-Lighting bracketing help users to capture stunning images like never before.

“Today’s photographer demands excellence and value from high-performance digital SLRs – and the Nikon D300s delivers,” said Edward Fasano, general manager for Marketing, SLR System Products at Nikon, Inc. “It’s no secret that more photographers need to gather multimedia content. In addition to proven technologies, such as the 51-point autofocus (AF) system and 12.3-megapixel CMOS sensor, we are more than confident that the D300s’ HD movie mode, along with a host of additional performance enhancements, will broaden the appeal of the camera to those seeking exceptional still image quality and video versatility.”

The Benchmark of Speed, Performance and Reliability
Whether on the front lines of spot news or behind the scenes at a spring wedding, users of the D300s can record HD video clips at 720p resolution with a smooth cinematic 24 fps rate. In addition, the D300s also records high fidelity audio—either with the convenient built-in microphone or by using the external stereo microphone input. Photographers can trim video length on the fly and apply Picture Controls to video, modifying the tone and color. Additionally, users can autofocus while recording video, using contrast detect AF, and do so while composing on the D300s’ bright three-inch 920,000-dot LCD screen.

Nikon’s applauded AF system, with 51 high density focus points, performs even faster and more accurately on the new D300s. The Multi-CAM 3500DX AF module uses 15 cross type sensors to provide unparalleled focus performance across the frame. The D300s offers multiple focus modes, including single-point AF mode, and a dynamic-area AF mode, where users can select from nine, 21 or 51 AF points with 3D tracking. Additionally, the added Face Detection System lets users instantly zoom in on a human face in playback mode on the high-resolution LCD monitor to check critical focus.

The Nikon exclusive and newly-accelerated Scene Recognition System (SRS) further refines Nikon’s AF performance and light metering. In conjunction with the 3D Color Matrix Metering II system, the SRS uses precise color and brightness information from the 1,005-pixel RGB sensor to propel AF, auto exposure, i-TTL flash control and auto white balance to unprecedented accuracy.

The renowned 12.3-megapixel DX-format CMOS image sensor in the D300s delivers extraordinary image quality and low noise throughout the entire ISO sensitivity range from 200 to 3200 (Lo-1 at 100 and 6400 at Hi-1). The D300s captures image data using 14 bit A/D conversion, processed through a 16-bit pipeline for optimal performance, resulting in images with sharp details and smooth tonal gradations.

The D300s also incorporates Nikon’s exclusive EXPEED™ image processing. EXPEED image processing uses an accumulation of sophisticated Nikon intelligence and technologies to ensure impeccable quality for both still images and movies, while also achieving high-speed processing and low power consumption. When using the included EN-EL3e Li-Ion rechargeable battery, photographers can achieve as many as 950 shots under normal shooting conditions. The optional Multi-Power Battery Pack MB-D10 extends shooting comfort and supports three types of batteries: R6/AA-size batteries, along with Nikon’s Rechargeable Li-ion Battery EN-EL3e and the EN-EL4a Rechargeable Li-ion Battery. It combines added stability with extended shooting of up to 2,950 shots*1 per charge and enables faster high-speed continuous shooting at up to 8 fps*2.

The reinforced magnesium alloy body is lightweight, ruggedly constructed and comprehensively sealed and gasketed against the elements at key points, and the shutter has been proven to a demanding 150,000 cycles. Additionally, the D300s employs the Integrated Dust Reduction System countermeasures that combat the accumulation of image-degrading particles on the optical low-pass filter.

World Class Versatility
With the D300s, Nikon introduces the ability to bracket Active D-Lighting (ADL). By localizing tone control, ADL restores shadow and highlight detail typically lost in high contrast situations, such as backlit subjects or while outdoors with strong sunlight. ADL bracketing provides users with the ability to bracket up to five frames of ADL strength to help ensure perfect contrast throughout the frame, putting an end to the guesswork behind the shot with a bride’s intricate white dress and a groom’s tuxedo in the same frame, for example.

Additionally, the D300s features two memory card slots—one CF and one SD, used simultaneously in a variety of configurations to match users’ preferences. Among the many options available, stills and video can record to separate cards or slots can be assigned for JPEG and RAW recording. The D300s offers “overflow” or “backup” modes, and when shooting D-Movie clips, it allows you to select the slot containing the card with the most available capacity. Users can also copy and paste files between cards.

Also added to the D300s is a Quiet Shutter Release mode, which substantially reduces the sound of the mirror while shooting. Quickly accessed by selecting “Q” on the release mode dial, this feature is ideal for the photographer who wishes to remain unobtrusive.

To further expand versatility, users have the ability to fine tune their images using Nikon’s Picture Controls to adjust sharpening, brightness, contrast and color hue. The D300s offers users four presets including Standard, Neutral, Vivid and Monochrome; while Landscape and Portrait settings can be downloaded from the Nikon website. While the D300s offers a versatile built-in flash with wider coverage for a 16mm lens, the camera is also compatible with Nikon’s Creative Lighting System and is capable of controlling up to two groups of remote units as a master / commander for Advanced Wireless Lighting.

System Expandability
In addition to compatibility with more than 60 NIKKOR lenses and a broad array of system accessories, the D300s will also perform well with the recently announced AF-S NIKKOR 70-200 f/2.8G ED VR II and the AF-S DX NIKKOR 18-200 f/3.5-5.6 ED VR II lenses.

Price and Availability
The Nikon D300s camera body will be available at Nikon Authorized dealers beginning in late August 2009 at an estimated selling price of $1799.95.** For more information, please visit www.nikonusa.com.

About Nikon
Nikon, At the Heart of the Image™. Nikon Inc. is the world leader in digital imaging, precision optics and photo imaging technology and is globally recognized for setting new standards in product design and performance for its award-winning consumer and professional photographic equipment. Nikon Inc. distributes consumer and professional digital SLR cameras, NIKKOR optics, Speedlights and system accessories; Nikon COOLPIX® compact digital cameras; COOLSCAN® digital film scanners; 35mm film SLR cameras; Nikon software products and Nikon sports and recreational optics. For the second consecutive year, Nikon D Series digital SLR cameras are recognized as “Highest in Customer Satisfaction with digital SLR cameras, Two Years in a Row, Tied in 2008.” according to the J.D. Power and Associates 2007 and 2008 Digital Camera Usage and Satisfaction StudiesSM. Nikon Corporation, the parent company of Nikon Inc., recently celebrated the 50th anniversary of its legendary F-mount lens-mounting system. Only Nikon has sustained an original lens mount for such an extraordinary period, ensuring that photographers can continue to leverage their previous investments while still taking advantage of new innovations. For more information, dial (800) NIKON-UX or visit http://www.nikonusa.com, which links all levels of photographers to the Web’s most comprehensive photo learning and sharing communities.

*As determined in Nikon performance tests
**Estimated selling price listed is only an estimate. Actual prices are set by dealers and are subject to change at any time.
*1 Based on CIPA Standards. When Rechargeable Li-ion Battery EN-EL3e is used for camera body, together with Rechargeable Li-ion Battery EN-EL4a and Battery Chamber Cover BL-3 for the Multi-Power Battery Pack MB-D10.
*2 Based on CIPA Guidelines. When Rechargeable Li-ion Battery EN-EL4a and Battery Chamber Cover BL-3 are used for the Multi-Power Battery Pack MB-D10, all of which are sold separately.

Bellows & Technical Movements for DSLRs

Scott Flaherty — Fri, 28 Aug 2009 12:10:46 +0000

Horseman VCC Pro for DSLRs Provides Full Bellows And Advanced Technical Movement Capabilities
Turns DSLR Into Large Format Type View Camera

CONCORD, CA, AUGUST 19, 2009 — Direct Source Marketing (DSM), the sole U.S. distributor of Horseman photo products for professionals and high-end consumers, today announced the Horseman VCC Pro, a hand-held view camera that offers full bellows function, a variety of technical movements, and gives a DSLR large format view camera functions.

The VCC Pro is a breakthrough because it does the only thing DSLR’s can’t do — technical movements. This allows professional photographers to handle technical movements ranging from tabletop shooting to landscape photography.

“Technical movements are important in a digital SLR since bellows functions are one of the major attractions of large format photography,” stated Richard Dischler, President of DSM.

Compact and lightweight, the new Horseman camera converter comes in models for Nikon and Canon Digital SLR’s. Both VCC models accept a wide variety of lenses and control depth of field and perspective, as well as utilize digital image stitching.

Since the VCC is on revolving mount, you can easily switch between horizontal and vertical positions with a single turn of a knob. It can also be held or mounted on a tripod.

The VCC Pro gives the end user control of both the front and rear standard and allows them to use tilt, swing, shift, fall, rise and any combination to increase or reduce depth of field and to correct perspective distortions — even at the widest aperture — from architectural, table top, food and commercial work to photography in restricted spaces. The rear standard is used for stitching images together and allows 30mm vertical and 40mm horizontal movements by the use of an ultra precise spindle drive.

The VCC also provides four-frame stitching with a full size CCD or FX imager. This provides extremely high resolution image quality equivalent to that achieved by professional high end digital backs. Inaccuracies between successive pictures are held to an absolute minimum, making post-editing an easy task.

Getting the image “right and tight” on capture allows far more creativity for the photographer. All additional software applications now can work far more effortlessly and creatively providing a true workflow solution. The VCC truly extends the function and creativity of the DSLR platforms.

Horseman products are manufactured in Japan by Komamura Corporation.

The Horseman VCC Pro will be available at the professional photo dealers at a suggested list price of $1999.00.

Recommended Photography Equipment Stores

Scott Flaherty — Fri, 21 Aug 2009 15:44:04 +0000

Over time, I’ve tried many different stores for obtaining the equipment that I felt was necessary to realize my artistic vision. Who am I kidding? Sometimes it was just a matter of “it’s cool and I want it”. Anyway, if you’re in the market for some new or used photography equipment, here’s a list of businesses that I feel comfortable in recommending.

B&H Photo Video Web-based store and a physical store in New York, NY
NatureScapes.net Web-based store & premier nature photography forum
Essential Photo Gear Web-based store
Outdoor Photo Gear Web-based store
Midwest Photo Exchange Web-based store and a physical store in Columbus, OH

Nikon Further Refines FX/DX Lens Favorites

Scott Flaherty — Thu, 30 Jul 2009 19:19:43 +0000

The Professional 70-200mm f/2.8 and the Wildly Popular 18-200mm DX Receive Optical Enhancements and VR II to Benefit a Variety of Photographers

MELVILLE, N.Y. (July 30, 2009) - Nikon today announced the AF-S DX NIKKOR 18-200mm f/3.5-5.6 ED VR II and the AF-S NIKKOR 70-200mm f/2.8G ED VR II, two telephoto zoom lenses further refined to provide photographers with exceptional optics for outstanding image clarity and sharpness, both featuring Vibration Reduction (VR II) image stabilization. The 18-200mm, Nikon’s best-selling premium high-ratio zoom ever, offers enthusiasts excellent versatility. The 70-200mm f/2.8, now benefiting from Nikon’s exclusive Nano Crystal Coat, retains its status as a preeminent choice for discerning professionals in a multitude of shooting disciplines.

Both of these lenses use Nikon’s VR II image stabilization technology, which is engineered specifically for, and optimized to, function most effectively for each lens design to substantially reduce camera shake-related image blur. VR II allows photographers to shoot handheld at as many as four shutter speeds slower than would otherwise be possible, better assuring dramatically sharper images—even in challenging lighting conditions. Two VR modes are available: “Normal” mode, ideal for everyday use and panning a subject; and “Active” mode, for use in instances where more constant vibration (i.e. camera shake) is present, such as when shooting from a moving vehicle.

“Nikon’s strong commitment to leadership in lenses drives us to constantly refine NIKKOR lenses to take advantage of newly developed technologies and introduce design innovations,” said Edward Fasano, general manager for Marketing, SLR System Products at Nikon, Inc. “Fifty years after the introduction of the Nikon F-bayonet lens mount, NIKKOR lenses remain an industry standard. We achieve this by investing in research and being attuned to the needs of both FX and DX-format photographers to provide the best lenses possible.”

The 70-200mm f/2.8 VR: Essential Optics Refined
The “go-to” lens of demanding professionals and serious enthusiasts, the 70-200mm f/2.8 is one of the most useful and sought after high-performance lenses for sports, wildlife, portrait, travel and news photographers. Nikon has further refined the lens, with an enhanced optical formula featuring seven extra low dispersion (ED) glass elements. These elements provide the ultimate in rendering characteristics to capture vibrant, high resolution images with optimal contrast. Image quality is further enhanced by Nikon’s Nano Crystal Coat, which reduces instances of lens flare and ghosting, elevating optical performance, even in tricky conditions such as those found in professional sports settings and stage events.

Designed to deliver the pinnacle of image quality in a wide variety of conditions, the new 70-200mm VR II lens also includes a Silent Wave Motor (SWM) for fast, quiet autofocusing. The SWM takes full advantage of 3D tracking autofocus (AF) systems, such as those found on the FX-format D3X, D3 and D700 D-SLR cameras. Three focus modes are available – M, A/M and M/A – for automatically focusing, manually focusing or fine tuning AF performance to best suit the photographers’ needs. Nine rounded diaphragm blades contribute to a more attractive bokeh, allowing photographers create soft and more naturally separated backgrounds that better highlight the subject.

The DX 18-200mm f/3.5-5.6 ED VR: Class-Leading Versatility
The AF-S DX NIKKOR 18-200mm, the next generation of Nikon’s all-time best-selling premium high-ratio zoom, combines an 11X zoom range with VR II to provide DX-format enthusiasts with an extremely versatile zoom range in a compact form-factor. Nikon enhanced construction to include a zoom lock switch, to allow photographers to secure the lens barrel at its minimum length, eliminating the natural gravitational effect that can draw the barrel downward during transport. The inclusion of Nikon’s exclusive Super Integrated Coating (SIC) reduces instances of ghosting or flaring. Whether shooting artistic landscapes or vacation snapshots, this lens provides fast and quiet AF operation with the help of Nikon’s SWM technology.
Designed to be a one-lens solution and weighing in at a scant 19.9 ounces and measuring only 3.8 inches in length, this lens provides an extraordinary (35mm equivalent) picture angle of 27-300mm when mounted on any Nikon DX-format camera such as the new D300s or D3000 D-SLR cameras. Additionally, the optical formula contains two ED glass elements and three aspherical lenses to minimize chromatic aberration and distortion. The resulting images exhibit extreme sharpness, extraordinarily vibrant color and crisp contrast.

Price and Availability
The AF-S DX NIKKOR 18-200mm f/3.5-5.6 ED VR II lens is scheduled to be available at Nikon authorized dealers beginning September 2009 at an estimated selling price of $849.95**. The AF-S NIKKOR 70-200mm f/2.8G ED VR II lens is scheduled to be available at Nikon authorized dealers beginning November 2009 at an estimated selling price of $2399.95** For more information, please visit www.nikonusa.com.

About the NIKKOR brand
With a comprehensive assortment of FX and DX-format lenses and focal lengths, from the new ultra-wide 10-24mm to the super-telephoto 600mm VR, Nikon photographers have come to rely upon the NIKKOR core technologies that contribute to their optical superiority. NIKKOR is the brand name for Nikon’s photographic lenses, which was created by adding an “R” to “NIKKO”, an abbreviation of Nippon Kogaku K.K., the original company name of Nikon Corporation at the time of its founding. In 1933, Nikon marketed its first camera lens under the NIKKOR brand name, the “Aero-NIKKOR” for aerial photography applications. Since then, NIKKOR has been used as a brand name for Nikon’s lenses that symbolizes durability, high image quality and optical excellence.

*According to Nikon testing
** Estimated selling price listed is only an estimate. Actual prices are set by dealers and are subject to change at any time.